1. Il Deserto Rosso (Red Desert, Michelangelo Antonioni, 1964)
May 21, 2022 · L'avventura, La notte and L'eclisse are all meditations on those feelings of loneliness and alienation while surrounded by (middle-class) riches ...
2. Cinema in Retrospect: 'Red Desert' - The Collegian
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"Red Desert" follows Giuliana (played hauntingly by Monica Vitti), the wife of an Italian factory manager, as she navigates life in the barren industrial landscapes of Northern Italy.
3. Red Desert | The New Yorker
Jul 31, 2017 · Michelangelo Antonioni's first film in color, from 1964, is his most mysterious and awe-inspiring work.
Michelangelo Antonioni’s first film in color, from 1964, is his most mysterious and awe-inspiring work. The accoutrements of modernity—heavy industry, atomic energy, antiseptic architecture, petroleum waste, and a little boy’s scientific precocity—converge to shatter the psyche of an engineer’s wife in the Italian port of Ravenna. Giuliana (Monica Vitti) hasn’t regained her composure after a monthlong hospital stay following a suicide attempt, but the essence of her problem is metaphysical, and only her husband’s boss (Richard Harris) seems to understand. Antonioni, in his most intense and virtuosic depiction of the horrors and monstrosities that pass for ordinary life, portrays Giuliana’s breakdown as a crisis of conscience and identity. Vitti’s masklike look of blank dread is the vanishing point for the polluted landscape of roaring machines; the metallic river, the riotous tangle of tubes and pipes, the yellow poison gas and orange flames that spout from smokestacks, and the smoldering fields of debris are the film’s true main characters, pulling the strings of the human puppets who depend on them. In Italian.(Film Society of Lincoln Center, July 28, and streaming)
4. Red Desert (1964) - Rotten Tomatoes
After surviving a car accident and a suicide attempt, Giuliana (Monica Vitti) finds herself lost in life, aimlessly wandering an industrial wasteland in search ...
Amid the modern wastelands and toxic factories of Italy, wife and mother Giuliana (Monica Vitti) desperately tries to conceal her tenuous grip on reality from those around her, especially her successful yet neglectful husband, Ugo (Carlo Chionetti). Ugo's old pal, Corrado (Richard Harris), shows up in town on a business trip and is more sensitive to Giuliana's anxieties. They begin an affair, but it does little to quell Giuliana's existential fears, and her mental state rapidly deteriorates.
5. Red Desert (1964) - The Movie Crash Course
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I’m starting to think I’m not really into Antonioni. I acknowledge his skill just fine, and sometimes he’s captured some amazing things with subtext; but then there are times when…
6. Red Desert (1964) - MUBI
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In Italy’s industrial wastelands, Giuliana, a wife and mother, struggles to hide her fragile mental state from her neglectful husband, Ugo. When Ugo’s friend Corrado visits on a business trip, he senses Giuliana’s anxieties, and they have an affair. But Giuliana’s mental health rapidly deteriorates.
7. Red Desert - THE CINEMATOGRAPH
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In Red Desert, Giuliana tells her son about a girl at a pink beach who sees a phantom ship. What does this story have to do with Giuliana?
8. Il deserto rosso (The Red Desert) - The American Mag
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"The Red Desert" ("Il deserto rosso") is a film about pollution: industrial pollution, noise pollution, psychological pollution. Visually, its color palate ranges from pastels to pure gray, which is both alluring and drab given that this was director Michelangelo Antonioni's first color film. Monica Vitti's impulsive Giuliana — a wife and mother now home from
9. Red Desert - BAMPFA
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Red Desert
10. Michelangelo Antonioni's “Il deserto rosso”, “Red Desert” (1964) Review
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“ There’s something terrible about reality, and I don’t know what it is.”
11. Red Desert (1965) - Turner Classic Movies - TCM
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Watch TCM is the convenient way to watch great classic films when you want, where you want uncut, commercial free... and it's absolutely free.
12. Red Desert (1964) directed by Michelangelo Antonioni - Letterboxd
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In an industrializing Italian town, a married woman, rendered mentally unstable after a traffic accident, drifts into an affair with a friend of her husband.
13. Red Desert (1964) - Vinyl Writers
Oct 3, 2022 · ... Il deserto rosso (Red Desert, 1964); his tenth feature film and ... The images and brief plot of “Red Desert” immediately caught my ...
The Italian filmmaker Michelangelo Antonioni was a survivor of an era, one in which enthusiastic experimentation could still be combined with thoughtful sequences. Antonioni is a fundamental auteur in the evolution of 20th century European cinema, his initial Neorealist techniques were modeled and enriched by the study of different social classes, especially the alienated bourgeoisie. …
14. Reality Bites: Alienation and Disconnect in Il Deserto Rosso ...
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Dear Reader, Today, I will be discussing and comparing two films from two directors that people, at first glance, would not connect: Michelangelo Antonioni and Alejandro González Iñárritu. First, l…
15. Red Desert – review - The Guardian
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Antonioni spiritually enters the 60s with this fascinating experimental movie about the malaise of industrial society, writes Peter Bradshaw
16. Red Desert (Il Deserto Rosso) (1964) - 1001 Movies before you die
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Michelangelo Antonioni’s, first color film, “Red Desert”, is an art movie concerned with the Neurotic breakdown of a beautiful woman. In the movie Antonioni compares his heroine, Giuliana (the ravi…
17. Michelangelo Antonioni's Red Desert and Minimalism and Land Art
Following a brush with death in a car accident, which she later confides was a suicide attempt, Giuliana drifts rudderless, scared and confused, through the ...
National Gallery of Art
18. Red Desert (Il deserto rosso) (review) - Project MUSE
Mar 25, 2011 · It is not "color," exactly, that is revealed in these initial sequences of an industrial wasteland in Ravenna, shot in blurred deep focus and ...
One can only imagine the breathtaking opportunity that the advent of color presented to Michelangelo Antonioni. Considered by many to be a "painterly" director, Antonioni proclaimed that, for the filmmaker, "seeing" was a "necessity."1 By the time of his first color film, Il deserto rosso (Red Desert [1964]), he was already renowned for the still-photography-like quality of his compositions and frames. The anticipation surrounding the release of Red Desert was quickly satisfied in the film's opening credits. It is not "color," exactly, that is revealed in these initial sequences of an industrial wasteland in Ravenna, shot in blurred deep focus and accompanied by the haunting rattle of an electronic score. Antonioni instead leavens the sepia and gray with hues and tints of red, blue, and pink. One feels as though the director were aware of entering some new visual terrain, one that had to be adjusted to gradually. The cautious chromatic textures make us conscious of color as a phenomenon consisting of wavelengths of light.